Monday, November 11, 2013
Perhaps New Acrylics?
I had to clean up my studio and put away my encaustic supplies so that there will be room in my studio for my monthly painting group. I can't work on my encaustic painting when the group is here, so I will be working on acrylic painting. I am going to try to take this opportunity to get started on some new acrylic paintings. My plan is to not get out the encaustic supplies until I have completed a few acrylics. I have not been able to tear myself away from the encaustics for the last three months, and I do not want to give up the acrylics completely. So, we shall see what happens next.
I don't have any new acrylics to post, so I will post the last one I completed. What should I name it?
Sunday, November 3, 2013
The Continuing Saga of Encaustic Painting
No matter how I try, I have let another month go by without writing. I guess I am just too busy painting! Mostly I am still trying to learn to paint with encaustic. It is a steep learning curve for me, and I need to try some new techniques. I am wearing out the techniques that I have more or less mastered.
This one is 6x6 and is simply a piece of paper that I made and encaustic medium. I should make some more of this paper, as I really like it.
This is one of my favorites though it is very simple. It is 5x7 and is an encaustic monoprint. I need to do some more of these, as this was my only successful one!
This was a monoprint that I adhered to a board and then added more encaustic over it. I did a couple of these, but it was a difficult technique to complete successfully. I kept tearing the paper. I like the look though, so will keep at it.
That's it for now. I hope I will be back with something new to show you in less than a month the next time.
This one is 6x6 and is simply a piece of paper that I made and encaustic medium. I should make some more of this paper, as I really like it.
This is one of my favorites though it is very simple. It is 5x7 and is an encaustic monoprint. I need to do some more of these, as this was my only successful one!
This was a monoprint that I adhered to a board and then added more encaustic over it. I did a couple of these, but it was a difficult technique to complete successfully. I kept tearing the paper. I like the look though, so will keep at it.
That's it for now. I hope I will be back with something new to show you in less than a month the next time.
Friday, September 20, 2013
Edmonds Art Studio Tour 2013
The Eighth Annual Edmonds Art Studio Tour is this weekend. I can hardly believe that we started this so long ago. Nor can I believe that it is this weekend. I have just barely managed to get ready in time, and I am usually very good about doing a little at a time over a few weeks. Not this year.
This year I will be showing my long legged people, abstract landscapes and encaustics. A few of the paintings you will see if you come this weekend are below. I also have a few encaustic cubes that have resulted from all of my recent experimenting with encaustic painting.
This year I will be showing my long legged people, abstract landscapes and encaustics. A few of the paintings you will see if you come this weekend are below. I also have a few encaustic cubes that have resulted from all of my recent experimenting with encaustic painting.
Thursday, September 5, 2013
Still Immersed in Encaustic
Well, I am still heavily into encaustics. I haven't painted with acrylic for a couple of months. I guess I needed to expand a bit. I am very frustrated learning this new medium, but I am also having fun, so I guess I will continue. There is a steep learning curve, and I am having to do a lot of reading. The best sources I have found are Patricia Seggebruch's books and Daniella Woolf's first book. I have been experimenting with a lot of the ideas from the books and some are coming out better than others? What I really need is a workshop, preferably a five day one. I haven't found anything I am interested in before the first of the year. Daniella Woolf will be having one in early 2014, but I don't have a date yet. Patricia's Encausticamp is not until next July, and I can't wait that long.
Here are some of the pieces that I like the best from all my experimenting. As you can see, I am into black, white and red right now.
Here are some of the pieces that I like the best from all my experimenting. As you can see, I am into black, white and red right now.
Sunday, August 4, 2013
More Encaustics
I am still buried in encaustics, trying to remember what I learned 8 years ago with Trish Seggebruch and experimenting with new ideas. I am primarily making messes and scraping the wax off to reuse! However, I am keeping some of them. Here are a couple of the ones that did not get scraped.
The third face down does not still have a glop of wax on the eye!
The third face down does not still have a glop of wax on the eye!
Monday, July 15, 2013
Encaustic Painting
Recently I spent an afternoon with Tracy Felix at ARTspot playing with encaustic. I have not painted with encaustic for about eight years and swore I would not get involved with it again. I love the look of encaustic, but it is expensive to work with and can be toxic if you are not careful about temperature and ventilation. You also use a torch! Since I know myself well, and know that I am a very careless artist, I chose to just not use encaustic. Now, however, I am hooked again. So far I am keeping the window open, watching the temperature carefully and not using fire! Below are a few of the pieces I have created. I am really only experimenting at this point as I have much to learn.
Wednesday, July 3, 2013
Burridge Workshop
I spent four days at Bob Burridge's studio in June, and had a great time as usual. These studio workshops only have 7 artists rather than three times that, which can be the case at some of Bob's other workshops. I have been attending Bob's workshops for I think 13 years, but it might be more than that. I find him inspiring and I love to watch him paint. I was not really prepared this year to work on a particular body of work, which I should have been. I had been so busy playing with encaustic and paper clay that I had not given it much thought. Therefore, my work in the workshop was everything from non-objective abstract to abstract landscapes to figurative. I am posting a couple of them below.
Subscribe to:
Posts (Atom)








